Conferences, Workshops and Seminars

CINEMA CICLE. DIALOGS BETWEEN CINEMA AND PAINTING "OF THE APPROACH TO THE RACCORD " ORGANIZES THE MUSEUM OF FINE ARTS OF ASTURIAS

 The objective of the cycle ‘’Dialogs between the cinema and the painting’’ is to take back some of the aspects that placed the relations between the cinema, painting and, in this case even the photography.
The Museum of Bellas Arts of Asturias celebrates this eighth edition in auditorium of the Archaeological Museum of Asturias under the coordination of Alfonso Palacio, his director, and the expert in History and Aesthetics of the Cinema, Christian Franco
.

FROM THE FOCUS TO AXIAL CUT. In the beginning it was the painting. There was not another way to capture the reality more than what the art plastics propitited. That changed in 1839, with the break-in of an invention that changed the art and, also, the whole the society: the photo. In 1895 the cinema Lumière introduced him, and the world prepared him for another revolution. The cinema, the more youth than the three arts, has been even the big beneficiary of this triple alliance. An association that has been explored at the street among the painting and the cinema, but what time it is analyzed by the perspective of the relationships between the photo and the call "seventh art."


 

PLANNING

Wednesday 22 june.

The Cameraman (1928). Directores Edward Sedgwick y Buster Keaton .

 

Wednsday, 29 junio. 

Blow-up (1966). Director Michelangelo Antonioni.

 

Wednsday, 6 de julio.

Smoke (1995). Dirección artística Jeffrey D. MaCDonald.

 

Wednsday, 13 de julio

La Jetée (1962). Director Chris Marker. Y Festuki (2011). Director Marc Ostrowski